The Kathak Podcast : Kathak Ka Chakkar
Conversations with Kathak Artists from across the world

TKP 090: Vaishali Trivedi

Episode Notes

Vaishali Trivedi || Sangati Vaishali Trivedi (@vaishali_sangati) • Instagram photos and videos Vaishali Trivedi is a Kathak dancer, singer, choreographer and a teacher based in Ahmedabad, India. Acclaimed as a rare dancer with a melodious voice by artists and connoisseurs, Vaishali combines perfect technique with flowing grace and a very fine sensitivity. She began her training in Kathak, under Smt. Kumudini Lakhia, India’s path breaking choreographer and Kathak dancer, at an early age and later became a principal dancer, teacher and a choreographer at Kadamb Centre for Dance in Ahmedabad. After working at Kadamb for several years, Vaishali branched away and formed Sangati Centre For Performing Arts in 2017.

Vaishali has given Kathak performances in major dance festivals in India and has been featured in Festival of India in USSR, Sweden, Germany, Thailand, Brazil, Bhutan, Japan and Canada. She has also performed in many theatres, festivals and events worldwide, including Biennale de la Dance in Lyon, France, Sziget Festival in Budapest, Hungary, Le Biennale di Venezia in Venice, Italy, Kremlin Palace theatre in Moscow, Russia, London’s South Bank Centre, UK, Theatre National de Chaillot, Paris, and Montpellier Dance Festival, France. Vaishali has danced in the great sitar maestro Pt. Ravi Shankar’s musical theatre 'Ghanshayam' and also danced and sang in the production of Pt. Birju Maharaj in the Festival of India in Germany at a young age. Recently she has done several collaborative works with world renowned choreographers like Kader Attou, Karine Saporta from France, Joachim Schlomer from Germany, Ivaldo Bartzzo from Brazil, TTB theatre group from Italy and also with choreographers from Switzerland, USA, Pakistan, Spain to name a few. Apart from her solo performances, she has also choreographed a number of group productions which have a blend of traditional and contemporary sensibilities. Her choreographic work has been presented in several prestigious events including Kathak festival organized by Kathak Kendra New Delhi, Tigad festival in Algeria, Voloubilis festival in Morocco, Brazil, Turkey, USA, UK, France, Switzerland, etc. Vaishali has directed large-scale public cultural shows involving hundreds of artists. She has also conducted several workshops and written articles in noted dance magazines such as ‘Attendance’.

In 2017 her solo works ‘Project Ravi Varma’ and ‘Urban Sufi’ were presented at “Indika Festival’, UK. In 2019 she choreographed a full -length work, ‘Still Water’ involving live visuals and music with 12 dancers for the Abhivyakti Arts Festival.

Show Highlights

(0:02:17) Rehearsing for World Dance Day

(0:03:40) Working with dancers of all levels

(0:06:36) How do you teach differently than how you were taight?

(0:09:26) How her teaching style has changed over time

(0:11:06) Going out on your own

(0:14:45) Getting new work and opportunities without being outgoing

(0:18:14) The responsibility of being a dancer from Kadamb

(0:23:32) Introducing newcomers to Kathak as a choreographer

(0:25:22) The importance of being curious about other dance forms/vocabulary

(0:28:28) Energy, timing and space in dance

(0:29:44) Jamming sessions for projects

(0:33:43) Tips on observing dance

(0:36:17) Having a generous teacher in Kumiben

(0:39:29) Discussion on productions : Still Waters

(0:41:45) Inspiration for Still Waters: Living in a big city

(0:43:57) Work on Erasing Borders

(0:50:01) Future projects and mission

(0:52:25) Memorable moments from past performances

(0:54:45) Being quarantined in France

(0:57:51) Managing people as a choreographer

2 years ago

TKP 089: Neha Pendse

Episode Notes

Neha Pendse (@neha_aaradhana_kathak_dance) • Instagram photos and videos

Home - npdanceacademy.com

Neha Pendse is the founder and artistic director of Neha Pendse Dance Academy LLC   based in Houston TX. She is the disciple of Late Mrs Savita Godbole, Dr Suchitra Hramalkar and Padma Shri guru Shovana Narayan Traxl. She's been trained in both Lucknow and Raigarh gharana. She has done masters in Kathak dance from DAVV university Indore and holds a gold medal in the same. She has received a junior CCRT scholarship and has represented her university in state (gold medal), zonal (gold medal) and National level (bronze medal). She has been invited to meet then president Mrs Partibha Patil for her contribution in university and received word of appreciation. received. She has performed all over India in various dance festivals like Malhar utsav, Paryavaran utsav ,Guru lacchu maharaj utsav, and USA in Sewa International charity gala, BMM Philadelphia, ICC Houston, HMM Houston, New York kathak festival, mind the gap Houston. She is serving various organizations in dance competitions in the judges panel as well. She holds a degree in Supply Chain Management from University of Houston.

She is the daughter of renowned theatre personality Mr Milind Deshpande.

Show Highlights

(0:01:39) Getting the academy registered

(0:02:57) Must haves for a dance studio

(0:03:51) Lake surrounding the studio

(0:05:16) Being relatable to your students

(0:06:26) The difference between teaching kids and adults

(0:08:31) Teaching people who are older than you

(0:09:31) Stressing the imporantance of practice

(0:12:49) How parents have changed over time

(0:13:59) How do you teach differently than how you were taught

(0:17:37) What is Neha learning right now with Shovana ji

(0:22:02) What is taught at the masters level in Kathak

(0:27:31) Mind The Gap

(0:29:54) Meet and greet with the audience

(0:31:47) Theater and Abhinaya

(0:35:01) Performing on Homestages: New York Kathak Festival

(0:37:04) Future plans

2 years ago

TKP 088: Aditi Mangaldas

Creating Dance That Resonates

ADITI MANGALDAS Dance Company

Bio Aditi Mangaldas is a leading dancer and choreographer in the classical Indian dance form of Kathak. With extensive training under the leading gurus of Kathak, Shrimati Kumudini Lakhia and Pandit Birju Maharaj, Aditi is today recognised for her artistry, technique, eloquence and characteristic energy that mark every performance. Besides dancing and choreographing classical productions, both solo and group, she has broken new ground by using her knowledge and experience of Kathak as a springboard to evolve a contemporary dance vocabulary, infused with the spirit of the classical. Considered a maverick in India, she has consistently broken ground, unafraid to confront social and present-day concerns.

She heads the Aditi Mangaldas Dance Company – The Drishtikon Dance Foundation.

Show Highlights

(0:02:23) A love story between a mature older woman and a younger man: Upcoming Duet with Akash Odedra

(0:07:22) Lost In The Forest: expressing the anxiety and isolation felt during the pandemic

(0:08:44) Working with Shubha Mudgal for the production

(0:09:34) Using empty frames to show movement in time

(0:13:32) Performing for the first time in India post Pandemic: 2022 Jaipur Literary Festival

(0:15:09) Uncharted: What/Who are we looking for?

(0:17:01) Building and nurturing relationships

(0:19:26) Getting pregnant with your work

(0:21:24) Keeping things open to interpretation based on people's own life experiences

(0:22:25) Creating art that resonates with you for years

(0:24:32) The elements of storytelling

(0:25:34) How far in history do you go back to call something traditional

(0:28:32) The importance of not getting complacent

(0:29:48) The process of getting to dance on a world stage

(0:31:08) Playing the dual roles of a dancer and choreographer

(0:32:50) The importance of working with a diverse set of dancers

(0:34:11) Wearing multiple hats: dancer, choreographer, artistic director

(0:36:21) Cross training: Kalari/Yoga/Contemporary Dance

(0:37:43) The meaning of Kathak sensibilities

(0:40:39) Giving a direction to your artistic endeavors

(0:42:16) Collecting thoughts, ideas, images

(0:44:38) Is time reversible: Timeless

(0:47:41) Using Rhythm to portray time

(0:51:55) How do you feel about being an inspiration

(0:56:19) Declining the National SNA award for creative/experimental work

(0:57:10) Portraying raw pain and anguish

(0:58:59) Having a responsibility as a dancer

(1:00:21) Double Standards

2 years ago

TKP 087: Uma Dogra

Moving Fearlessly towards Artistic Excellence

Vidushi Uma Dogra is one of the leading Kathak Exponent of India. She is the senior most Disciple of Late Guru Pt. Durga Lal ji of Jaipur Gharana. For her 50 years contribution in the field of Dance as Performer, Teacher , Choreographer and Author She has been conferred with

-Central Sangeet Natak Akademi Award from Govt of India in 2014. -Sanskriti Maharashtra Rajikiye Puraskar 2008. -Gaurav Samman from Govt of Maharashtra 2016 . -Honorary Doctorate of Art from ITM University of Raipur 2016. -Honorary Member of Min-on Concert Association Japan for spreading Peace and Happiness through Dance.

She is founder and Managing Trustee of Samved Society for Performing Arts. Under its banner from the last 32 years She organises 2 Major Festivals to promote Art and Artists. Pt. Durgalal Festival of Dance and Music. Raindrops Festival of Indian classical Dance.

Uma ji has written a book "IN Praise of Kathak" Many Articles on Dance which has published in Megzine of Sangeet Natak Akademi and other publication. She had made a film on her guru

"Nirwana through Dance '' Pt. Durgalal "

SHOW HIGHLIGHTS

(0:03:02) Hosting the 32nd Pt Durgalal Festival post pandemic

(0:07:41) Being an artist vs being a dancer?

(0:08:52) The importance of appreciating dance,music and paintings

(0:11:55) How painting relates to dance

(0:14:17) Arranging platforms for dancers

(0:20:53) How Uma ji became fearless in the pursuit of arstistic excellence

(0:23:40) How should artists determine their worth

(0:26:38) Issues that come up when artists become organizers

(0:28:07) Younger artists having to pay to perform

(0:28:37) A rule of thumb for artists to determine their pay, based on the renumeration of the musicians

(0:38:52) Thoughts on getting mentorship from other gurus

(0:42:32) How Uma ji portrayed the Khandita Nayika differently

(0:45:54) How you teach differently than how you were taught

(0:50:21) The importance of appreciating yourself for a dancer

(0:51:53) Future projects

(0:57:01) Sharing information freely with everyone

(0:58:01) Working for animal activism

(1:01:52) Urge to senior artists to promote younger dancers/next generation artists

2 years ago

TKP 086: Urja Thakore

Research in Choreographu: Urja Thakore

Urja Thakore (@urja76) • Instagram photos and videos

Urja Desai Thakore is one of the UK’s leading kathak practitioners, who studied under the guidance of Kumudini Lakhia at Kadamb, Ahmedabad for over 20 years. Urja then read a BA in Kathak from Akhil Bharatiya Gandharva Maha Vidyalaya. She has also completed a MA in South Asian Dance with Choreography from the University of Roehampton. A graceful and emotive dancer, Urja is renowned for her love of abhinaya, subtle movements and technical strength. Furthermore, her sensitive, thought-provoking choreographic style is highly regarded by both traditionalists and modernists alike. In 2007, Urja co-choreographed Akademi’s Bells for the Trafalgar Square Festival, an outdoor dance spectacle that brought together international talents from the UK, India and Belgium. She was also assistant choreographer to Kumudini Lakhia for the Swapnagata Festival curated by Akram Khan at Sadler’s Wells in 2009. In 2012, Urja was appointed Artistic Director of the first dance festival in Milton Keynes. With the launch of the BBC Young Dancer competition in 2015, Urja was selected as the Guest Choreographer for the South Asian dance category soloist. Another major passion for Urja within her practice is teaching, something that she has become extensively experienced in over the past 20 years, and has supported her standing as an ISTD Committee Member. Furthermore, viewed as an active advocator and future industry leader for the dance sector, Urja was selected as one of 20 artists for the One Dance UK’s Mentoring Programme in 2015.

Show Highlights

(0:02:59) History behind Kattam Katti: Urja di's signature production

(0:07:36) Musicians being part of the choreography

(0:11:14) Getting musicians to move on stage

(0:13:48) Incorporating new choreographic elements to dance: The R&D Process

(0:18:28) The process of editing the production as needed

(0:19:41) Choreographing for the Britain Symphony

(0:20:50) How is choreographing for an Opera different

(0:22:49) How the perception of future projects affects your outlook

(0:25:19) How much background info is needed for an audience to appreciate dance

(0:37:13) The importance of making each other look good on stage

(0:38:40) Starting out on your own in the UK

2 years ago

TKP 085 Prajakta Raj

Tradition: What Stays and What Changes - Prajakta Raj

Kathak Dance : Prajakta Raj (Atre) - YouTube

Prajakta Atre (@prajakta_atre_3) • Instagram photos and videos

Groomed by stalwarts like the late Guru Dr. Rohini Bhate and Guru Roshan Datye, Prajakta Raj is an accomplished Kathak danseuse and a well-known name in this field today. Prajakta, who was trained for 14 years by Guru Roshan Datye, received advanced training from late Guru Dr. Rohini Bhate from 1996 to 2008 at the renowned Nrityabharati Kathak Dance Academy in Pune. Besides completing the Senior Diploma course at Nrityabharati, she has also obtained a Master's Degree in Kathak from the Centre for Performing Arts (Lalit Kala Kendra), Pune University. Prajakta has also successfully proved her mettle as an able dance teacher since 1992. Presently she is working as a Guru and Examiner at the Lalit Kala Kendra of Pune University. As a small contribution to the institution that made her a dancer, she has been working as an Honorary Teacher and Secretary at Nrityabharati Kathak Dance Academy since 2006. She is also the Founder-Director of Aarohini Kathak Dance Academy and the Director of Aarohini Art Welfare Organisation, a non-profit organisation, dedicated to the promotion of Kathak and other art forms. Aarohini celebrated its Silver Jubilee Year from June 2016 to June 2017 by successfully organizing 7 grand stage performances and 1 O Enrichment Sessions throughout the year. A multi-faceted personality, Prajakta also has a Master's Degree in French from Pune University and is a lecturer of French

Show Highlights

(0:04:09) Non negotiables for your own dance space

(0:10:55) Connection with Guru Rohini Bhate ji

(0:13:52) Doing Riyaz with a sense of responsibility

(0:16:02) Learning values and life skills from her gurus and passing it on

(0:20:46) What tradition means to Prajakta Tai

(0:23:09) Why it's important to preserve the compositions passed down by her guru

(0:23:56) How tradition is like a river

(0:27:49) How do you teach differently than how you were taught

(0:29:50) implementing new techniques on

(0:30:47) How to make your wrists more fluid

(0:33:59) How teaching makes you a better dancer

(0:49:36) Developing patience vs having it inherently

(0:54:38) Bonding with your students outside of class

(0:56:03) The logistics of touring abroad for performances

(1:03:08) Making friends and well wishers through travel

(1:04:18) memorable performances and anecdotes

(1:06:53) The importance of being ready with what you've been taught

(1:11:41) The feeling of being recognized by people you've never met before

2 years ago

TKP 084 : Abhimanyu Lal

Episode Notes

Abhimanyu Lal, son and disciple of renowned guru and SNA Awardee Smt. Geetanjali Lal is recognized as one of the most accomplished Kathak dancers. The splendor of his brilliant solo performance has earned him applause both in India and other parts of the world. Hailed as a bright star in the firmament of Kathak, Abhimanyu has received acclaim as a dazzling dancer by the media and connoisseurs of arts. He has been awarded Shri Krishana Gana Sabha Endowment Award and Nritya Jayantika Award.

Presently Abhimanyu Lal is teaching Kathak as Varishtha Kathak Prashikshak in National Institute of Kathak Dance, Kathak Kendra, New Delhi

Abhimanyu Lal (@abhimanyu__lal) • Instagram photos and videos

(0:01:41) Dancing with your students at class

(0:04:06) Rituals in Riaaz

(0:05:23) Tips to doing footwork for longer

(0:06:46) The importance of improvisation in Upaj

(0:09:48) The importance of having a good foundation

(0:12:03) Who do you like to work with

(0:14:24) Performing at good and bad venues

(0:16:45) Rituals before going on stage

(0:18:11) Deciding the repertoire based on audience

(0:20:11) How to guage the mood of an audience

(0:21:09) Memorable performances

(0:23:16) Managing language barriers

(0:24:27) Playing drums and relating it to Kathak

(0:26:17) Preparing students to be independent

(0:27:36) Giving Challenges to students on stage

(0:28:50) Difference between how you were taught and how you teach

(0:31:48) Encouraging students to practice

(0:33:15) accomodating students of all levels in workshops

(0:35:38) Teaching how to communicate with the audience

(0:39:43) working with school students

(0:41:56) Legac

2 years ago

TKP 083 Mousumi Mukhopadhyay

Express Yourself Through Kathak: Mousumi

I started learning Kathak at the age of 5 year old.

I received the foundation training from Asha Dedhulkar, Disciple of Gopi Krishnaji, Benaras Gharana. After his death, I continued my journey in Kathak under the guidance of Dr. Rajeshri Shirke, Lucknow Gharana I have been a student of Kathak for over 20 years now. I was a recipient of the Jawahar Bal Bhavan award and have received  multiple opportunities to learn from some of the Legends of kathak in India and the US. I continue my learning in the US, under mentorship of Archana Joglekar.

In the US, I have been collaborating, choreographing with Performing artists for the last 15 years. 

(0:01:23) Kathak as a form of expression

(0:06:26) When do students begin to express themselves through dance?

(0:13:06) Kathak Training

(0:16:13) What are you learning these days

(0:17:43) Keeping children engaged in class

(0:19:53) Revisiting old pieces

(0:23:02) The mindset of a good student

(0:25:35) Stories of collaborations

(0:30:06) What to look for in collaborators

(0:31:25) Stories from the stage/behind the scenes

(0:36:11) Connecting with people on a deeper level

(0:37:36) Support system and network

(0:39:28) Which causes speak to you?

(0:41:31) Teaching style and practice

(0:48:01) Teaching mathematics through Kathak

(0:48:55) Future Projects

2 years ago

TKP 082: Padma Khanna Sidana

Padma Khanna Sidana

As the founder and principal of Indianica Academy, Mrs. Padma Khanna Sidana continues her pursuit of reaching out to the youth and members of the Indian community in the United States and beyond. Every year since its inception Indianica Academy presents their annual cultural show titled Chamakte Sitaaray (Shining Stars) where the students showcase their knowledge of Kathak and folk dances of India. Her history making endeavors have been fruitful and reaped benefits for everyone involved.

Hailing from the cultural city of Varanasi (Banaras) Mrs. Padma Khanna Sidana began her journey as a student of Kathak at the tender age of 7. As an exponent of Kathak at a very young age she performed on stage as one of the youngest known stage artists of her time. Her mother once revealed that in her deep sleep PADMA’S feet used to tap and keep moving in dance rhythm. She learnt Advanced KATHAK DANCE from Padmashri Gopi Krishna, whose talent of KATHAK is acclaimed and appreciated like Pundit Ravi Shankar’s in Sitar. Padmaji’s arrival to Mumbai (Bombay) she was welcomed with open arms by Indian Movie Industry (Bollywood). For more than one decade, she was known as “Dancing Queen Of Indian Cinema”. She acted in more than 300 movies in all regional languages of India. Few to mention are “‘Saaz Aur Awaaz, Biwi Aur Makaan, Johnny Mera Naam, Raahgeer, Baharon Ke Sapne, Anhonee, Dastan, Rampur Ka Lakshman, Saudagar, Maaie, Hamaar-Bhauji’ and many more. One of her most popular TV series is ‘RAMAYAN”, in which she played the pivotal, outstanding and memorable role of “Kaikeyi”. It is a matter of great pleasure for us today to have a versatile and veteran artist like Padmaji among us.

Show Highlights

(0:04:19) Learning with Pt Gopi Krishna

(0:11:06) Beginnings of Indianica Academy in the US

(0:18:33) Support systems in the US

(0:22:27) Teaching at Indianica Academy

(0:26:18) When do students start taking dance seriously

(0:30:33) The mindset of a dancer

(0:31:40) The sequence of Riyaz

(0:35:36) Adding variations to Tatkaar for longer riyaz sessions

(0:39:12) Memorable performances

(0:43:31) Story of how a student stayed in touch

(0:45:43) Portrayal of kathak in bollywood over the years

(0:48:52) Padmja ji's take on what is Kathak and what is semi-classical

(0:50:42) On stage vs on screen personalities

(0:53:23) Acting in Movies, and Kathak Abhinaya

(0:55:19) Future projects

2 years ago

TKP 081: Varsha Prasad

Varsha Prasad

Instagram

Sojugada Sooju Mallige | Mahadeva | Dance Cover | Bengaluru - YouTube

Varsha is a multifaceted Kathak dancer, a known instructor, performer and choreographer with over 20 years of dancing experience. Despite her diverse interest in Psychology, dance and movement therapy, Varsha continued to focus mainly on Kathak, earning recognition and popularising the dance form at home and other countries like Netherland, Germany, Switzerland, Dubai, Srilanka and many more. In 2018 she opened her own studio “Kalaagram art and wellness centre Pvt.Ltd.” in Bangalore and in 2020 she founded “Kalaagram Dance Gurukul” in Goa, a cozy dance haven built from upcycled sustainable materials. This foundation aimed to preserve and popularize kathak to the underprivileged. She has been awarded the dancing flair in Mumbai,2012. Varsha's expertise is not only limited to Kathak but also in therapeutic dance practices, healing, meditation and counselling psychology.

Show Highlights

(0:02:26) Building your own studio

(0:11:04) The DIY mentality

(0:12:38) Teaching Russian, Konkani, Marathi Students

(0:14:33) Starting classes in Goa

(0:19:00) Music and Dance in Goa

(0:21:23) Teaching storytelling to students

(0:22:12) The meditative nature of Kathak

(0:26:02) Work with side trance music

(0:28:11) Adapting movements to shooting with a drone

(0:29:35) how are kids benefiting from learning dance

(0:30:50) dance and psychology

(0:34:00) Drawing the line betweeen being empathetic and their therapist

(0:35:30) Dance and Yoga Retreat: Samudra

(0:40:08) Memorable performances: Dancing in a temple

(0:41:33) Tips on being independent

2 years ago

TKP 080: Minhaz Khan

Minhaz Khan (@minhazkhanofficial) • Instagram photos and videos

Minhaz Khan is a senior most repertory member of Aditi Mangaldas Dance Company – The Drishtikon Dance Foundation. He started performing at an early age of five at Guru Purnima Mahotsav in Pune and trained under the eminent gurus in the field of art and culture since then from Pt. Rajendra Gangani, Ustad Zafar Mullah Khan and Shri Afsar Zafar Mullah Khan. Minhaz is well known in the Classical field in India. His flawless footwork, speedy pirouettes, graceful movements add subtle abhinaya has impressed connoisseurs and critics alike. He has also worked as an independent choreographer and has taken Kathak workshops in India, Europe and most recent in SIFAS- Singapore Indian Fine Art Society, Singapore in 2019 where he not only took workshop in Banaras gharana but also performed. Minhaz’s talent extends from Kathak to instruments in Tabla and Pakhawaj. Apart from Kathak he also does creative dance.

SHOW HIGHLIGHTS

(0:02:40) Tabla, Pakhawaj, and Kathak

(0:06:52) How do you plan to teach?

(0:07:45) Encouraging students to practice

(0:10:46) Keeping a balance

(0:13:01) Productions: Within and interrupter

(0:13:54) Auditioning for Drishtikon

(0:14:51) Dancing blindfolded

(0:18:55) What are classes at Drishtikon like

(0:22:46) Being ready for anything: Taiyari

(0:25:29) Being open with your colleagues

(0:28:01) Keeping an active repertoire

(0:29:16) What makes for a good team member in a dance company?

(0:33:57) How lights are used in a dance production

(0:37:56) How is a light sequence written down?

(0:39:10) Solo/Collaborative work

(0:44:09) When to start exploring new movements

(0:46:33) Watching other dancers

(0:47:36) The influence of traveling on dancer

(0:52:13) Examples of the different audiences in every country

(0:55:10) Incorporating movements from other dance forms

(0:57:18) Upcoming projects

Episode Notes

Notes go here

2 years ago

TKP 079 Deepali Vichare

Episode Notes

Deepali Vichare (@deepalivichare) • Instagram photos and videos

Bio Deepali Vichare is the founder/director of Aarat Dance Academy, which completes 25 years in 2022. Furthermore, With two decades of experience in dance choreography for over 85+ films & numerous events, her vision is to spread the dance art worldwide & grow together

Show Highlights

(0:06:15) The value of putting in time into classical arts

(0:01:54) Setting boundaries for yourself

(0:14:41) Starting online classes with new students

(0:19:39) What goes on behind the scenes in a choreography

(0:22:27) How do you teach differently than how you were taught

(0:34:55) Recent Creations: Staging Frames and Tridhaara

(0:42:29) Learning and compartmentalizing different dance forms

(0:51:00) Insights into doing effective Riyaz

(0:53:38) The need to appreciate and offer feedback to fellow artists

(0:56:16) The importance of trying

(1:00:59) Future Projects

Intro Music Credit: Bansure Raga | Doug Maxwell

2 years ago

TKP 078: Neha Seshadrinath

Episode Notes

BIO

Neha Seshadrinath is an innovative and versatile performer of Indian classical dance forms. Her passion for the arts is palpable in her elegantly crafted performances. She has been trained in Kathak and Bharatanatyam under the tutelage of Smt. Nirupama and Shri T. D. Rajendra of Abhinava Dance Company (ADC) for over 18 years. She has also been trained in Natya Shastra under the guidance of her guru Smt. Nirupama Rajendra.

She has worked as a principal dancer and a faculty member at ADC and has performed at a number of prestigious festivals and events throughout India and abroad like the USA, UK, Hong Kong, Singapore, China, Bahrain and South Africa. She has worked with other dance companies such as Sampradaya Dance Company, Canada and also in a production by Smt. Kumudini Lakhia ji which was featured in Russia.

Neha is also a successful solo performer in her own right. She is a graded artist of Doordarshan. She is also the recipient of the Young Artist Scholarship, Ministry of Culture, Govt. of India and also an empanelled artist of Indian Council for Cultural Relations. She also holds a Masters degree in Psycho-social counseling and Rehabilitation. She is currently living in Czech Republic and continuing her passion for dance through conducting classes, workshops and also through performances.

SHOW HIGHLIGHTS

(0:01:09) The concept of Karunas

(0:08:22) The importance of having a strong core

(0:13:52) How stamina is affected by consistency

(0:15:17) How do you teach differently than how you were taught

(0:19:09) Drawing the line between being compassionate and being a therapist

(0:21:06) Finding more lullabies with girls in it

(0:22:34) Creative process

(0:25:17) memories from her first performances

(0:26:16) How being in Karnataka influenced Neha's kathak practice

(0:29:45) Working with Abhinava dance company

(0:32:35) Doing both Kathak and Bharatnatyam

(0:35:33) Connection with Gurus

(0:43:32) Spreading awareness about Kathak

2 years ago

TKP 077: Anurekha Ghosh

Episode Links

Anurekha Ghosh (@anurekhaghosh) • Instagram photos and videos

Anurekha Ghosh Dance World - YouTube

SHOW HIGHLIGHTS

(0:02:34) Moving to India from UK

(0:06:56) Transitioning to working and learning in India

(0:17:42) How do you perform for a learned audience

(0:14:17) Doing Kathak away from Delhi

(0:16:26) Kathak in Kolkata

(0:18:53) How have your productions evolved over time?

(0:21:49) The wish to start presenting more traditional work

(0:25:18) Dealing with conflicts during collaborations

(0:27:07) Handling ticket sales/costs/logistics

(0:29:53) The evolution of tradition

(0:32:08) Doing camera based work

(0:40:33) Impact and Legacy

BIO

Anurekha Ghosh is one of the finest internationally acclaimed BBC award-winning Indian Classical Kathak dancers. Her technique and style is a combination of “tradition and modernity”. She has shown her excellence in Choreography be it in the classical or contemporary genre.

She has been trained in classical Kathak dance, specializing in the Lucknow Gharana since her childhood under the guidance of Smt. Meera Majumdar and Smt. Mousumi Sen in Calcutta. Anurekha moved to the United Kingdom in 1992 and took further training in Kathak with Guru Pratap Pawar. She received extensive training under the renowned Kathak exponent Nahid Siddiqui from Pakistan. She received advanced ‘talim’ from Tabla exponent Pt. Dinanath Mishra of Benaras Gharana. She is fortunate to receive in-depth guidance and ‘talim’ from the finest Kathak exponent and Guru Smt. Durga Arya.

She learnt the art of Kalaripayattu, a South Indian Martial Arts at CVN Kalari, Kerala. She has trained in vocal music from Smt. Swagatalakshmi Dasgupta in Kolkata. Anurekha has performed in the major theatres and Festivals all over the world as a soloist or with her company productions. She has performed in USA, Canada, all over Europe, India, Estonia, Japan, Pakistan, Indonesia and the UK including Royal Opera House, London, South Bank Centre, London, Edinburgh Fringe Festival Madission Square Gardens New York, Festival of FEZ, Morocco (sharing the stage as a soloist with Pandit Ravi Shankar and Anouska Shankar) and Edinburgh International Festival, Scotland, New York Kathak Festival, USA, DancElation Festival, USA, Vande Mataram Dance Festival organized by Sangeet Natak Academy, New Delhi to name a few. She has choreographed and created many classical and contemporary productions for her company: Anurekha Ghosh and Company.

Anurekha received the awards for Arts & culture category presented by the Asian women Achievement Awards in collaboration with BBC, The Lisa Ullman Scholarship for Dance and Movement, the Best choreographer for The Place Choreodrome at The Place Dance Theatre UK, Nritya Shiromani, Naatyasaaradhi, Natya Damru, “Tujhe Salaam” by ILEAD (Indian Institute of Management, Kolkata), Nritha Vilasini, REX KARMAVEER fellowship from ICONGO instituted by United Nations, Amravati award, Pandit Arjun Mishra award and Padmavati award, Kala Bhushan award to name a few.

Anurekha collaborated with internationally renowned choreographers like Padmashree Kumudini Lakhia, Akram Khan (UK), Nahid Siddiqui (Pakistan/UK), Shobana Jeyasingh (UK), Mark Baldwin (UK), Andre Gingras (Holland), Héla Fattoumi and Eric Lamoureux, Via Dance Company, France. She has danced in the Michael Howell film “FRANKENSTEIN” choreographed by Mark Baldwin, screened on BBC. Her performance is also featured in the film THE SUFI WORLD. She has given many performances on BBC, Channel 4, French Television, and Indian Television. Anurekha shares her time in India and the west, teaching classical Kathak to aspiring students across the world, She has been conducting dance workshops and master-classes in Primary and Secondary schools, Special Needs schools, Performing Arts colleges and University all across the globe. She has been imparting classical Kathak dance training in intensive retreats attended by students from various parts of the world.

Intro Music Credit: Bansure Raga | Doug Maxwell

2 years ago

TKP 076: Sonia Sabri

EPISODE LINKS

Sonia Sabri Company (@soniasabrico) • Instagram photos and videos

Sonia Sabri Company (ssco.org.uk)

SHOW HIGHLIGHTS

(0:02:03) 2022 Commonwealth Games Opening Ceremony

(0:03:54) A Camp for Kathak

(0:08:11) Catering to varying experience levels of dance

(0:12:11) How do you teach differently compared to how you were taught

(0:18:54) The issue of students dropping out of Kathak in high school

(0:27:06) Outreach and Education: Teaching audiences about dance

(0:35:01) Making your content specific to your audience

(0:39:38) What does it mean to collaborate?

(0:49:02) Building relationships with dancers

(0:56:02) Hiring dancers for Sonia Sabri Dance Company

(1:04:34) Performing kathak for 10,000 people: WOMAD

(1:06:47) How would you like to be remembered?

BIO

She also runs Kathakaars, a creative forum for aspiring dancers providing vocational training and offering a range of performance and choreographic opportunities to create a legacy of high quality artists Sonia Sabri is UK’s leading Kathak dancer, amongst the brightest and most inspirational of British born dancer-choreographers working in the twenty-first century. Creating work that spans from the presentation of classical roots of Kathak to explorations of contemporary approaches, her productions reflect an appreciation of Western and Eastern cultures. She has created a fresh, unique style of Kathak by reinventing it from within, by pushing boundaries and generating work that is original in concept and exciting and relevant to today’s audiences. As a dance artist, she is acclaimed for her enchanting stage presence, grace and musicality that enthral audiences both nationally and globally.

She has secured an international reputation for collaboration across dance styles and art forms including work with pioneers Sarvar Sabri, Arlene Phillips CBE, Sir Trevor Nunn, Richard Alston, Lea Anderson, Shobana Jeyasingh, Nitin Sawhney, Rose English, Jonzi D, Jatinder Verma to mention a few. As well as touring with work created in Britain across the world she has been supported and commissioned by UKTI and British Council and independent bodies to create new work and lead meaningful learning and participatory projects. One of many highlights include her work in the Emirates touring with Kathakbox; leading movement based workshops and residencies for women only groups and especially from orthodox backgrounds; residencies with children with learning difficulties, and creation of new dance and live music works with girls. Sonia is the first female artist and female led dance company to have toured the Emirates and other parts of the Middle east.

Sonia’s art is the seed of all her outreach work in the community for different groups including women, young people and children, mothers and daughters, young families, elderly people through to working with women of mental and health concerns many of which referred by GPs. Some examples include working with women in some of the deprived areas in the country using movement and music as a way to share their personal experiences as a way of therapy. Providing a safe environment, emotive language of art and with Sonia’s sensitive and sympathetic nature (derived from her personal experiences), women unveiled their inner most thoughts, challenges, concerns and broken dreams. Through carefully considered and bespoke arts programmes, residencies and workshops, Sonia has enabled many women to transform their lives. Some examples include - many have gone into education; have built confidence to communicate with their families about their inner most feelings / concerns which otherwise they feared to voice; change their lifestyle towards positive mental and physical health; build friendship circles to empower other women. Some who had lifelong dream to dance, sing, or play an instrument were provided a platform to do so and have now gone on to seek vocational training to develop their talent with some now performing in community and professional settings.

Sonia has also trained library workers in community libraries and in health centres how to use the toolkit of Kathak dance and offer emotional and physical wellbeing, build child and parent relationships, and approaches to communicate with women of culturally sensitive backgrounds who often felt detached from main stream society. Where ever Sonia has delivered and continues to deliver these programmes, there is a legacy of empowered women who are now helping other underrepresented women. Sonia works with women and girls of all backgrounds and experiences and many are from the muslim community. She is considered a role model nationally and not exclusively for the South Asian community given the ground-breaking work she has developed through her artistic practice. There are very few women of her faith and cultural heritage and a proud British Indian leading the way for the future generation. In addition, Sonia is a teacher of Kathak and regularly undertakes various workshops, lecture- demonstrations and residencies in both national and international venues. She is accredited by the Imperial Society of Teachers of Dancing (ISTD). Recently she was commissioned by BBC Young Dancer 2017 as one of the mentors and choreographers for the grand finals.

2 years ago

TKP 075: Amita Dutt

Intro Music Credit: Bansure Raga by Doug Maxwell SHOW HIGHLIGHTS

(0:01:49) Current Trends in Kathak Research for Academia

(0:09:05) How Kathak has picked up movements from other dance forms

(0:10:47) The case for the Bengal Gharana

(0:23:16) spreading awareness on the Bengal Gharana

(0:25:23) How you choose a Taal

(0:30:59) Portrayal of Durga

(0:40:03) How poeple were affected by the portrayal

(0:44:31) How do you teach Abhinaya to your students

(0:48:22) The importance of formal education for a career in dance

(0:53:46) The 5 types of Student Interactions Amita di has

(1:08:27) How to make Kathak more accessible, and build an audience

EPISODE LINKS

Amita Dutt | Facebook

BIO

Amita Dutt, Uday Shankar Professor of Dance at Rabindra Bharati University, Kolkata, has been serving the world of Kathak for more than three decades.

Groomed in the strictest classical traditions under Pdt. Birju Maharaj, Prof. Bela Arnab, Pdt. Vijay Shankar and other leading maestros of the premier Kathak gharanas, Amita dances with a hypnotic force and subtle sensitivity combining rhythmic virtuosity with delicate expressiveness, commendable, ‘taiyaari’ with mastery in ‘abhinayanga’. In her art we find a successful blend of tradition and talent, environmental totality as well as breathtaking dynamism. Her innovative, analytic mind has also constantly encouraged her to experiment with new ideas - thus expanding the boundaries of Kathak. Having her roots in Calcutta, Amita has performed far and wide across three continents. Among her innumerable dance recitals in prestigious dance and music festivals, mention may be made of the Khajuraho Dance Festival, the Konark Festival, Utsav Mahakaleshwar, Rajgir Mahotsav, the Biswa Banga Millennium Festival, the First South Asian Festival of SAARC Countries, the India Festival in USSR, the American Dance Festival, Uday Shankar Festival, Sarat Chandrika Festival, North American Bengali Conference, Nritya Nitya Utsav, the Young Choreographers Festival, Nir Mahal Tourism Festival, Bishnupur Tourism Festival, the India Festival at Singapore entitled Incredible India @ 60, China Kunming International Culture and Tourism Festival and many more. During the Autumn Festival of 1990 at Darjeeling, when the President of India, Sri R. Venkataraman, came as the Chief Guest, the Governor of West Bengal Prof. Nurul Hassan invited Amita to present her traditional dance and choreographic composition Durga. She also performed for the official government function for the Golden Jubilee of Indian Independence at Patna (1997).

During the visit of the Prime Minister of Japan Shinzo Abe to Kolkata, Amita performed in the lead with her University troupe in her own choreographic creations on Tagore’s songs. She has also popularized her dance by performing at academic conferences and institutions.

The Governor of Bengal Sri Narayanan invited her to present her dance before the King of Bhutan HM Jigme Khesar Namgyel Wangchuk at the Raj Bhavan Kolkata on October 5, 2010.

In addition to giving solo recitals, Amita has been experimenting with new choreographic patterns blending pure Kathak movements with popular songs and innovative themes and has staged a number of very successful choreographic productions including Durga, Chitra Jhankar, Nazrul nana Chande, Biswa Beena Robey, Bhanusingher Padavali, Geetanjali, East West Encounter, Nrityanajali, Joyodhwani, Amrapali, E ki Madhura Chanda, Swadesh, Mother, Celebrating Light, Dash Avatar, Celebrating Light, Varsha and Basant-Bahar.

She has given three recitals for the National Programme of Dance on Doordarshan. Her performances have also been telecast over various channels innumerable times both in India and abroad including USA, Germany, Hungary and the former USSR. Her interviews over the radio and the television in various parts of the world have spread the message of Kathak far and wide.

Besides being an excellent dancer Amita is also a brilliant student of English Literature and a Gold Medalist of the Calcutta University.

Her academic background has helped her to popularize her dance form through her prolific publications in major books and journals such as Bhakti in Indian Classical Dances (Bharatiya Bhasha Parishad), Desh Binodon 1987 (Special Issue on Dance), The Statesman Festival Number 1990, Special Independence Golden Jubilee Issue of Desh and Dance Specials of Nandan. Papers on major aspects of dance written by her have been published in various departmental Journals of Rabindra Bharati University and Gauhati University and in Rabindra Bharati University Convocation Volumes 2005 and 2006. Amita’s Kathak Mahotsav (monograph) was published by Kathak Kendra, New Delhi and she is a regular contributor to the dance sections of The Statesman, Aajkaal and Bartamaan and has written for The Hindustan Times, Sananda, Pratidin, Business Economics, Dainik Statesman, West Bengal and Paribartan. She is a regular columnist for Maashik Basumati with a special page – Prantik - assigned to her for each issue. She has written papers for innumerable journals of major Universities.

Her conference paper - The Resurgence of Indian Classical Dance in the Twentieth Century: Colonial Inheritance or Indigenous Self Fashioning? - presented at an international seminar of the Department of English, Calcutta University, has been published in the volume ‘Colonial and Post Colonial Perspectives: Context, Text, Intertext’. Edited by Krishna Sen & Tapati Gupta. (Published by Das Gupta and Co. Pvt. Ltd., Kolkata. 2007.) Her article Bhakti in Indian Dance features in the volume ‘Religion and Art’ edited by J.K.Sadani and published by Bharatiya Sahitya Samsad, Jaipur, Ahmedabad and Kolkata. 2007.

Her contributions in cultural encyclopedias include ‘Some Indian Dance Forms: Kathaka, Bharata Natyam, Kuchipudi’ in Aesthetic Theories and Forms in Indian Tradition Vol. VI Part I (Ed.) Kapila Vatsayan & D.P.Chattopadhyaya - A Project of Indian Science, Philosophy and Culture, Centre for Studies in Civilization, New Delhi, 2009 and three sections: ‘Kathak Dance: Origin and Variations of Gharana’, ‘Technique of Kathak Dance’ and ‘Hasta Mudras in Indian Dance’ in Vol. VI Performing Arts in Indian Culture: Encyclopaedic Survey in Eight Volumes edited by Jaikishandas Sadani, Bharatiya Vidya Mandir, Jaipur & Kolkata, 2008.

Amita’s moving deliberations in seminars and conferences all over the world in academic conferences and other forums have helped to spread the message of her dance. The Tagore Festival at the University of Illinois at Urbana Champaign, USA featured Amita as the Key-note Speaker (Tagore on Education) as well as the star performer (2004). The Peking University, Beijing, China invited her to perform on Tagore in their conference on “Understanding Tagore” (2010).

A dedicated teacher, Amita’s students include National and State Scholarship Awardees, University Gold Medalists and successful performers. Amita has been the research advisor of many research scholars including Fulbright scholars. As Artistic Director of Ananda Chandrika, an organization (with a Government Partnership) for research and productions on dance, Amita has choreographed and presented many innovative dance programs and documented many dance productions.

Amita has served as Judge and Member of the Jury in important national events such as National Kala Utsav organized by the NCERT, Ministry of Human Resource Development, in National competitions organized by the Ministry of Culture and Pdt. Birju Maharaj ji’s Kalashram and in state level competitions organized by the Ministries of Information & Culture and Sports & Youth Affairs, WB.

In an attempt to popularize and make available authentic training of Kathak all over the world, Amita has embarked on a program of teaching through the television and the web. She has been the Resource person for 36 episodes on Kathak covering the entire Bachelor of Performing Arts Foundation Course in Kathak as prescribed by the University Grants Commission and produced by the Educational Multi Media Research Centre, Kolkata, for the University Grants Commission - Consortium for Education Communication scheme. This project is still continuing with more episodes under preparation for the Bachelor of Performing Arts 2nd Year, 3rd Year and 4th Year Courses. These courses are available as CDs from the UGC-CEC office at Delhi and are telecast often on the Indian television Doordarshan National and UGC network and on the EMRC website. These programs have received citations in the 19TH UGC-CEC All India Educational Video Competition held at New Delhi in Oct-Nov 2007 in the categories Best Programme in E-content and Best Presenter / Anchor Person. Amita was awarded Lifetime Achievement Award by Prasar Bharti (Doordarshan) in November 2015. She has been the Head of the Department of Dance (2001-2003 & 2014) and the Dean of the Faculty Council of Undergraduate and Post Graduate Studies in Fine Arts (2006-2010) at Rabindra Bharati University, Kolkata. Her associations with other major Universities as Resource Person, Expert, Visiting Fellow and Examiner include Visvabharati (Santiniketan), Indira Kala Sangit Vishwa Vidyalaya (Khairagarh), M.S.University (Baroda), Punjabi University (Patiala), Calcutta University, Banaras Hindua University, North Bengal University, Bhatkhande Music Institute Deemed University, Jadavpur University, Kalyani University, Tripura University, Bharatidasan University (Tiruchirapalli) and University of Burdwan. She has also given Lecture Demonstrations at various Universities in USA including the Universities of Arizona, Duke, Yale, Purdue, Ohio, Miami, Delaware, Fayetteville State, Illinois at Urbana Champaign, Tulsa and Central Florida. Amita has been teaching Online through the Massive Open Online Course titled Foundation Course in Kathak (June to December 2020, July to December 2021) and Junior Course in Kathak (January to June 2021) hosted on MHRD's SWAYAM portal with EMMRC, St. Xavier's College as the Regional Nodal Agency. These courses are supported by the Consortium for Education Communication (CEC) and the University Grants Commission (UGC). Amita was awarded the Shiksha Ratna Award for 2017 by the Government of West Bengal, Department of Education for her contribution to Higher Education and the Parul Shiksha Samman 2017 by the University of Calcutta. She was also awarded the Anupama Award 2017 for her contribution to Women's Empowerment by Turnstone Global.

She was invited by the Government of the United States to the prestigious American Dance Festival where she performed, taught in Master Classes and attended an Arts Management Course. Subsequently she has also contributed to her field as an organizer and manager. She was the Convener, Culture of the Bishwa Banga Millennium Festival and the Artistic Director of the Kathak Mahotsav 2000. She has also been the Coordinator for UGC Refresher Courses on Performing &Visual Arts at her University.

Amongst the innumerable awards and honours conferred on her, mention may be made of the titles of Singar Mani, Nritya Urvashi, Nritya Sagar, Nritya Jyoti and Nritya Bharati. She has been honoured at the North American Bengali Conference and the Mayor of Cincinnati, USA gave her the Keys to the City thereby making her an Honorary Citizen and also called that day, May 15, 1994, Amita Dutt Day. In November 2004 she received the Governor’s Commendation in recognition of her contribution to Art from Brad Henry, Governor of the State of Oklahoma, USA. On May 26, 2014, she was conferred the Uday Shankar Award – Lifetime Achievement Award for Dance - by the Government of West Bengal.

Always eager to serve society and the downtrodden, Amita has given innumerable performances for social service causes – both to create awareness and collect funds. She is an active member of the Rotary Club of Calcutta, having served in the capacities of Editor, Director and Chairperson. She is a multiple Paul Harris Fellow and is the wife of the Past District Governor of Rotary International, Dr. Amitava Mookerjee.

She is the Founder Director of the Performing Arts Therapy Centre at Rabindra Bharati University where research is conducted and training is given to serve the ailing and the impaired through dance, drama and music.

She has been the Chairman of the Special Cell for Women’s Issues at Rabindra Bharati University for five years and has taught on issues of Women’s Empowerment at various Universities and Institutes. She is the External Expert for Committees on “The Sexual Harassment of Women at Workplace (Prevention, Prohibition & Redressal) Act, 2013” for several divisions of Indian Oil Corporation Limited and La Opala RG Ltd.

Scholar, choreographer, danseuse and professor, Amita’s main aim is to popularize her dance and she has never turned down an opportunity to spread the message of her art at home or abroad. She has given innumerable performances for academic institutions and conferences and social service causes.

Amita’s present passion is to establish the Bengal Gharana of Kathak. Over the last 150 years Kathak has become a part of the cultural heritage of Bengal. Innumerable performers, teachers and students of Kathak are spread all over the state. Amita wants to crystallize Bengal’s contribution to Kathak - which also features her Kathak creations - and lay the foundations of the Bengal Gharana of Kathak.

2 years ago

TKP 074: Vidha Lal

Episode Links

Vidha Lal - YouTube

Vidha Lal (@vidhalal) • Instagram photos and videos

Vidha LAL Kathak Exponent | Facebook

Show Highlights

(0:01:42) Sankalp: Promoting young dancers

(0:08:11) Aharyam: Jewelry for Kathak Dancers

(0:14:34) The wait for the Bismillah Khan Yuva Puruskar

(0:17:21) The importance of people vouching for you

(0:20:14) How the reach of youtube is bigger than other social media avenues

(0:21:57) Adapting to different audiences across the world

(0:25:50) What kind of organizers do you like to work with?

(0:28:53) Stories from backstage: The case of the missing ghungroo

(0:36:31) Pre Stage Rituals

(0:38:09) Who to rely on to get feedback from?

(0:40:49) The importance of being your own person

(0:44:14) Riyaz Rituals: Using an Agarbatti

(0:47:13) Guiness World Record

Bio

Vidha lal, a multi-faceted Kathak exponent is a disciple of renowned guru and Sangeet Natak Akademi awardee guru Smt. Geetanjali Lal of Jaipur Gharana. Vidha holds a masters degree with distinction and gold medalist from Indira Kala sangeet Vishwavidalaya , Khairagarh, Chattisgarh. She has completed her diploma hons (11 years training), from the National Institute of Lathak, New Delhi in the year 2000 and also a merit scholarship holder of Kathak Kendra, New Delhi. She is a graduate from Lady Shri Ram College for Women, New Delhi. Vidha is an empanelled artist of Indian Council for Cultural Relations (ICCR) and ‘A’ graded artist from Delhi Doordarshan. She has Performed in many prestigious festivals in India and abroad including Khajuraho dance festival, Nishagandhi festival, Milap Fest Liverpool , Dance India Asiad Pacific Singapore, Sydney Dance Festival Australia.

2 years ago

TKP 073: Mansi Khosla

Bio

Mansi Khosla’s dance journey began at the age of 4 in Nairobi, Kenya, when she started learning Bharatnatyam under the tutelage of Kamini Thakkar. She completed her training and arangetram in 1997. In 1998, Mansi became a student of Pali Ji Pali Chandra Kathak in London. Her journey is still continuing today, not just through her dance and relationships, but also through her 3 blessings, her daughters, who are also now, a part of this beautiful legacy

Episode Links

Show Highlights

(0:03:10) Dance as an expression

(0:09:48) Creating an environment of freedom

(0:12:57) Process of creation

(0:21:07) Being a dancer and a mother to dancers

(0:25:57) Returning after a sabbatical

(0:28:28) What was it like to be away from the stage?

(0:31:23) The importance of having the right support system

(0:35:20) Most memorable performance

(0:41:18) The humanity of dance

(0:45:10) Relationship with Pali Chandra ji

(0:53:17) Strengths and weaknesses of today's dancers

(0:59:24) Riyaz Rituals

Into music credit: Bansure Raga by Doug Maxwell

2 years ago

TKP 072: Cyenthia Vijayakumar

Episode Notes

EPISODE LINKS

Cyenthia Vijayakumar (@cyenthia.kathak) • Instagram photos and videos

Cyenthia Vijayakumar - YouTube

BIO

Cyenthia Vijayakumar is a Kathak dancer from Milwaukee. She has undergone her training in Lucknow gharana from Guru Murari Sharan Gupta and Guru Hari and Chetna. She is currently undergoing her training under Guru Sujata Banerjee from London. She founded Aarambh Kathak Dance School in 2019 in Milwaukee to spread this art form to a diverse group of people in Milwaukee.

She believes that Riyaz/practice is a key to make progress in any kind of Indian Classical artform be it dance or music. Practice is a continuous process that should not stop at any point in time. Practice evolves you as a dancer and as an individual helping you move towards the path of perfection and progress. Anything can be achieved if a dancer has the right kind of guidance from a Guru and the right practice techniques. “Never ever give up on whatever you love to do! Good dancers are not born talented. They have been taught and trained and pursued practicing without giving up” is what she believes in.

SHOW HIGHLIGHTS

(0:01:51) Creative Process

(0:08:46) The importance of making movements your own

(0:13:13) Becoming the characters you portray

(0:17:49) Who do you go to for feedback?

(0:19:53) How do take the audience into account for performances

(0:27:14) Community support in Wisconsin

(0:34:37) Most memorable performance

(0:38:41) Teaching at Aarambh

(0:43:55) How do you teach differently from how you've been taught?

(0:46:39) the consequences of being strict

(0:49:29) Improving over time

(0:54:37) When is something considered good to showcase

(0:57:35) Teaching and Lecture Demonstrations

(1:03:21) When dancers from another style start learning Kathak

2 years ago

TKP 071: Prachee Palekar

Episode Notes

BIO

Prachee started learning Kathak with her Guru Asha Joglekar at the age of 6. She continued learning under her guru's tutelage for over 15 years, meanwhile attending workshops by Pandit Birju Mahrajji, Rajendra Gangani ji, Rohini Bhate ji and others in Mumbai and Pune areas. She won several competitions, and was also awarded the All India dance scholarship under 18 by the Govt. of India, Ministry of Culture. After a break of about 9 years, as Prachee pursued her IT career aspirations both in India and USA, Prachee continued to learn under the guidance of Guru Rita Mustaphi ji, in USA Minnesota. She is a company intern at Katha Dance Theater, and has performed in their internationally acclaimed dance drama, Karna - The Abandoned Hero (a blend of Kathak dance and Gospel music). Prachee is also a 2020 IndianRaga fellow

A passionate dancer, a loving mother of two young girls, and an ambitious IT professional, Prachee continues to perform, teach and learn Kathak in and around Columbus, Indiana.

EPISODE LINKS

Prachee Palekar (@pracheepalekar.kathak) • Instagram photos and videos

SHOW HiGHLIGHTS

(0:47:58) The meaning of being senior

(0:48:55) Kathak in the Midwest: future projections

(0:01:41) How a career in IT carries over to Kathak, and vice versa

(0:09:54) Recent performances in Indiana

(0:11:24) Kathak before and after motherhood

(0:15:48) Finding time for riyaz while managing parental responsibilities

(0:19:26) Dancing on rough cement floors

(0:20:41) How your kids respond to your dance

(0:22:43) What happens in the hours before a performance?

(0:23:19) Striving for perfection

(0:27:22) Returning to Kathak after motherhood

(0:33:24) What progression looks like when coming back after a break

(0:36:27) Work with katha Dance Theater

(0:40:43) Teaching older adults

(0:44:08) The Responsibility of teaching

Title Track Audio Credit: Doug Maxwell | Bansure Raga

2 years ago